Of all the pottery-making stages—centering, opening, pulling, raising the wall, and shaping—maybe the most difficult to learn is the first. Centering involves placing the clay on the wheelhead, squeezing and lifting the mound into a tall cone, pressing it back down, and exerting pressure toward the center until the clay revolves smoothly.
It sounds so easy. I’m not sure why it isn’t. Centering gives most beginners a terrible time, but there’s no skipping or fudging this step. A centered mound provides a symmetrical starting point. Even pots can’t result from uneven beginnings. [Read more…] about Still
If you’ve ever seen a doctor about an injury, I bet you were asked to rate your pain. Was that hard for you? If your injury wasn’t obvious (no gushing blood, broken bones, blisters from burns), did you hesitate to confess the number that popped into your head? Did you fret you’d come across as a liar? As dramatic, pathetic, or weak? Did you worry giving too high a number would make the doctor suspicious your emergency was a ploy to get a pain meds prescription? Did you dread facing skepticism, doubt, a lecture? 
My twelve year old favors my husband’s side, appearance-wise, the long legs, straight back, and Brad-Pitt eyes, but she’s very much her own person. Confronted by one of her unique inclinations, my husband and I will sometimes marvel, “Who’d she get that from?” In one respect, however, she’s all mine: She doesn’t part with stuff, at least not easily. Her messy bedroom pains my husband, the neatest person I know, but she can’t seem to toss, donate, or recycle much of anything. “It’s too special,” she says. (Our ten year old couldn’t be more different. Case in point: He used to tidy his kindergarten teacher’s desk for her during recess. For fun.)
When I first started learning ceramics, my professor encouraged my classmates and me to make kiln gods for our glaze firing. This was an old tradition, he told us. We were going to position our greenware guardians near the kiln opening, just as the potters of ancient cultures did. The little gods would keep watch over our pieces during the firing. 
There is a great in-between for creators. I’m in it now. A draft of a novel, completed and set aside. No new tale begun. No new tale even imagined. A lull.
“Forever is composed of nows.”
My dad used to work in a nursing home. If he had to go in on a Saturday afternoon, sometimes my sister and brother and I went with him. I’m not sure why this was permissible. I’m also not sure why we didn’t stay home with our mom. But she was a waitress at Davidson’s Restaurant and occasionally worked the lunch shift, so maybe she had to work, too.
I’m an enthusiastic gardener in the spring, a lazy weed-enabler in the fall. As I write this post, the brilliant foliage in the woods outside my window, though lovely, isn’t quite distracting me from the sad state of a flowerbed, where grass threads the lavender, wild asters bloom whitely between the lanky remains of hollyhocks, and bindweed twirls around the rosebush branches. Worse yet, it looks like poison ivy has gotten a roothold in my hydrangea. 
Six months into this pandemic, I’m realizing things about myself, one of which is how cautious I am. Some friends and family members assure me the country’s situation isn’t as bad as the media paints it and, in fact, is getting better. But as of this week, there are over three million active cases of Covid-19, and we’ve passed the two hundred thousand deaths mark. That’s…a lot. That doesn’t sound like “better.” So I’m still practicing social distancing. Though I’ll call and write to the people I love, I won’t visit or entertain them. My caution has strained a few of my relationships, and I feel badly about that. “This isn’t forever,” I’ll say and think, I hope this isn’t forever. 
